Evaluation: In what ways does your media product use, develop or challenge forms and conventions of real media products?

Posted on 17:16 by The Coalition | 0 comments

Our short film is post modern, meaning it should challenge traditional film protocols such as genre and conventions to name a couple. Firstly, in the script the role of main protagonist is given to a female murder which goes against nearly every classic horror ever written or filmed, wiping the floor with the common horror ideal of a damsel in distress. Films such as Quintuin Tarantino's 'Kill Bill' played it's role in influencing our narrative, editing as well as sound. Quintin Tarantino is the master of postmodern film making, which is why which is why we thought using his pieces to stem from would be such a good idea.

 Similarly to Kill Bill we have suble hints from westerns, through the us of extremeclose ups and by placing a character in the background behind the main subject, constantly switch focus between the two is a technique normally found in a western. This would suggest that a Major shoot out is about to commence and the person whom is closest to the camera is about to win, however we have taken these shots, striped them of their traditional meaning and developed them by giving them a different one.
Also like kill bill we use oriental themed music in the murder scene, reflecting scenes from classic kung fu film, an element Tarantino uses through the placement of random cultural music during fight scenes, for example in 'The Bride vs O-Ren ishii' he places what sounds seems to be  a Mediterranean song over an oriental film set. We found this really dramatic and interesting and thought we could incorporate this in our film, which we strongly believe has made our film very different from the majority that are being produced at A level standard.


We challenge stereotypical genres by blurring them together making, a well known post modern motif make it hard for a typical audience to place their finger on what genre it belongs to. Using ifluences from country westerns, classic horrors, thrillers and dramas our film uses, develops and challenges a wide range of films conventions. The characters placed in front of the cameras also give our film a hint of the urban genre, this is by setting our scene in a typical urban city school, with students who have a London accent which is commonly found in such films as Menhaj Huda's 'Kidulthood'.

Our film successfully uses, develops and challenges forms and conventions of real media products from the planning and research stages right up to the filming of it and the post-production stages. In it's self it has been a challenge to get every single creative juice flowing and has hints of alot of films made, which is exactly wat we aimed for to create a successful, enjoyable postmodern piece.

Evaluation: What have you learned from your audience's feedback?

Posted on 12:43 by The Coalition | 0 comments


Instantly from their focused initial reaction, we knew our piece had some dramatic impact on our audience. We  kept the viewer wanting more, and never lost the attention at any given point. Already this is the kind of reaction any director/ movie maker would dream of. These are two students who attend our sixth form, the female is a media student, and the male is not, we had decided to go for this variety of audience to get a more typical viewer's opinion and then an opinion of someone who is familiar with the film making process.

 I was completely relived to hear that the non-media student followed the story line, and subconsciously knew what was happening through the shots used and the editing through retelling the plot in a similar way to how we had attempted to portray it. It was clear there was a messy break up which was the trigger for the murder, this a doubt for me, because we tried to tell the story quite subtly, so there was definite scares that your average person may not pick that up straight away. Vivian's struggle to place our film in a genre at first worried me, however our aim was to create a postmodern film, which blurs concepts ideologies, and is also defined as 'the blurring of genres', her reaction to this question built a found confidence in our project.

 Back to Dominic's feedback, he had noticed the use of colour grading and the desired effect, even something as simple as the colour can signifies to the audience the exact ambiance of the story. This taught our group that our fine attention to detail doesn't go unseen, failing to spend time on this may have given us a poor reaction, also that the editing process, is without doubt one of, if not the most important stage of creating a film. One worry which we had was the music transitions, from one genre to another seemed quite daring, however we got a good response and both views seemed content with the desired effect we tried to create with such a sudden change in mood.

Yet again we believe this follows every rule of a postmodern product, which was much to our glee because in a previous project we had made a classic horror, which followed stereotypes and was quite safe however effective, and this year our aim was to create something out of the ordinary, and completely different to your classic style of film, this has proved to everyone in the group that we are capable film makers with a wide range of skills and ability to create something effective and enjoyable to watch.

Evaluation: How effective is the combination of your main product and ancillary texts?

Posted on 09:07 by The Coalition | 3 comments

The 5 minute film works well in collaboration with our ancillary pieces.
The magazine featurette describes key elements from our film very well whilst the Poster compliments the movie through the use of moody lighting and atmospheric colours along with the movie itself, in combination this gives everything to do with our movie a persona, meaning if you see it's poster faintly from a distance, you'd know where it was from.




The same font was used for our film and poster, making the film title distinguishable by viewers. So that whenever they see that style they instantly know what movie it is projecting.

We kept the whole theme of influence, shown by the plot of the film, we had the magazine review feature a picture of half of the Protagonist, Efah, and the imaginary friend, Ekaf's face, parallel to each other. Suggesting a character made up of two personalities.


The whole movie was about a girl and her influential imaginary friend, to give little hints that he was imaginary, we did things like add effects to the shots he was in using effects like Venetian blinds and screen jiggles. This style was also kept in our ancillary poster, where we gave the imaginary friend cracks on his face in order to hint that he is fake. This seems effective as viewers will always see Ekaf (Falade) as a special type of character because of the special things that had revolved around him when he gets screen time.


The Production company and the Sponsor company put in the title sequence. This is effective because the company logos serve as extra advertisement, if someone were to see these else where, they'd know what film is associated with the logos. The film review was done by The Sky Might Fall magazine, leading to promotion of the magazine after people have seen the film, leading to the promotion of the Film from The Sky Might Fall magazine readers who have seen the review and realizing it got a high rating.

The shot where it shows the imaginary friend behind the protagonist, then the shot pivots around her head to show he's not really there. This had the same effect as the Venetian blinds, where the imaginary friend is made to seem special. Also, the character himself having a very uneasy presence gives off the impression that there is something wrong with him. The Ancillary pieces exaggerate this too, especially with the poster.

Evaluation: How did you use media technologies in the construction and research, planning and evaluation stages?

Posted on 00:44 by The Coalition | 0 comments


Utilising all technology available to us, a truly multimedia production is what we aimed for so choosing and using them effectively is key.

A wide range of technologies were involved and used thoroughly throughout our project; a very good example of this is blogger, a more interactive and intuitive way of logging/document what we as a group see, discuss and act on. In regard to the research stage, we used blogger to share what we were all seeing individually, our different ideas and outlooks on the project itself. With planning it allowed us to upload images of our storyboards, scripts and other important pieces of information; it also allowed us to input a filming timetable which enabled us to keep each other on track and manage our time more efficiently. During the production stage blogger really did help us keep a focus, it held all the information we needed to film and allowed us to note down where we were whether ahead of schedule or not and whether to make adjustments before it was too late. During the evaluation stage Blogger made it easier to looks on our years work in hindsight, placing everything in a an orderly, accessible format that helped with comparison and marking out the birth of an idea and it’s route onto our finished piece.

During the production, research and planning stages we used the Canon 7D to capture our surroundings as well as the final shots that we eventually used in our final piece. Blocking is vital because it gives you a real feel for your scenery giving you the knowledge on what is truly possible to capture in your selected location effecting along with enhancing our shot list and shot plan. An example of this would be for our final scene there is a shot of Rhys, the boyfriend walking down the hallway which could only be achieved by the camera moving in time with the actor, to do this a big enough hallway was needed. That was a scenario where we had to block in search of the perfect hallway that fitted the atmosphere of the scene and was big enough to fit the equipment and technique we planned on using.
[Screenshots of blocking]
We truly did utilise the Adobe Creative Suite 5 package provided during the production stage; using Adobe Premiere Pro, After Effects and Soundbooth. After effects allowed us to even the colours throughout the composition and then colour code as well as adding special effects effectively while Premiere Pro was used for the continuity edit making sure that all the composition does make sense. While Soundbooth was used to clean up previously recorded audio that had background chatter or that had noise that made cuts between shots more obvious.
YouTube was a major piece of technology used throughout being an open creative platform people frequently upload their own short films as well as trailers for Hollywood films that we used for inspiration while during the production stage we used it as a learning tool, teaching out how to achieve the contra zoom (dolly zoom) shot we used as well as the special effects in addition to the motion tracking used during the title sequence.
The adobe package and Canon 7D were also used in the production of our ancillary pieces. We used the 7D to hold a photoshoot with our actors to be used on the film poster and the magazine review page. We used the images, manipulated them in Photoshop to create a excellent film poster. We used the same images but imported them into InDesign to create our magazine review page which was quite a successful adventure as well.

Ancillary: Poster - Finished Poster

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This is the finished poster after the addition of logos, website, actors name, a quote and a revamped title.

Ancillary: Poster - Cortex Movie Title

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We added a title using the original fonts used in the title sequence of the movie. The fonts used were 'Angel' and 'Trajan pro'.

We also used a vein stock in order to give the title a subtle vein texture beneath it's blue overlay.

The text was positioned just below Ekaf as means of presentation.

Ancillary: Poster - Colour correction

Posted on 05:13 by The Coalition | 0 comments

One of our favourite processes is the colour correction as choosing the right colours can boost the professionalism of your work.

We gave the whole poster a reddish feel to it, but we didn't want to lose the blue undertone from before that gave it a cold emotion, giving ideas of revenge and plot inside of the final movie.

Ancillary: Poster - Cracks and Mist

Posted on 05:05 by The Coalition | 0 comments

We then decided to add a few special tidbits to increase the uniqueness of the poster. One of these were cracks on Ekafs face, it's supposed to suggest a broken personality and an unreal persona to Ekaf.

Another one is the mist surrounding him that supports the backdrop, giving it a more eerie, darker mood than it already had.

Ancillary: Magazine review page - Final

Posted on 05:26 by The Coalition | 0 comments

Here is our final magazine review page, unfortunately we misread the specification believing we need to create a magazine cover which we did but not until after did we realise our real task was to create a magazine review page. We thought that even though it wouldn't count it would be nice to include it with our review page to show how strongly the link between each of our ancillary pieces and final film is, especially in terms of the fonts used. All in all we think that this has be a success.

Ancillary: Poster - Ambient lighting and Atmosphere creation

Posted on 04:53 by The Coalition | 0 comments

We created a general atmosphere in our poster with the use of artificial lighting on the Photoshop canvas, through brush tools, layer settings and adjustment layers in order to give the poster a darker vibe, being as Ekaf is generally a dark influence/ character.

Also, to add depth to the poster we blurred the top of Ekaf's hair in order to give a sense of perspective and concentrate the viewer on the center of the poster.

We also lightened up the eyes as well, making the poster seem a lot more eerie, as if Ekaf were staring into your soul.

Ancillary: Poster - Beginning stages

Posted on 04:34 by The Coalition | 0 comments

After obtaining the main photos we wanted to use, we put them into one Photoshop document and began re-sizing both photos to suit the original size.
This here is the base structure of what the poster will look like.
The backdrop has already been leveled to give it a darker look.

Ancillary: Stocks

Posted on 04:21 by The Coalition | 0 comments


Out of the photos we took during the photo shoot, we used these two for the Ancillary. The photo of the stairs would make a good ambient backdrop for the poster and the photo of Ekaf, played by Emmanuel Falade, is a straight forward portrait but is very powerful due to the choice of lighting, expression and perspective, achieved with the use of a 50mm lens.

It is here

Posted on 03:00 by The Coalition | 1 comments

Here is our final version of our short film, CorteX

Research: Ancillary - Poster inspirations

Posted on 04:48 by The Coalition | 0 comments


We scanned the web for posters that would inspire a design for what we want to have.
The main film that inspired our story line is Donnie Darko, I believe that the poster is very powerful and suggestive, as you have characters from the movie that look as though they have "made him up", shape-wise.

The other poster that inspired our design was from the film Dorian Gray, the poster is again a straight portrait photo of the supposed protagonist Dorian Gray. It's a straight forward poster with simple colour choice and a suited font style, furthermore, the half cracked face of Dorian Gray suggests a number of things, he could have a decaying character throughout the movie or be corrupted mentally.

Finally, the posters gave us a rough idea of the texts needed to be included in our poster, such as production logo's, sponsorship logos, actor names etc.

Research: Ancillary - Empire Magazine cover

Posted on 00:48 by The Coalition | 0 comments

For the release of 'The Dark Knight Rises' Empire Magazine gave the film a cover for their November issue. The cover is dark and simplistic featuring merely a main character (Bane) and the magazine title. We think it whas been one of the better magazine covers of the year & will try to implement certain elements into our cover.


Research: Soundtrack - Tyler, The Creator

Posted on 09:19 by The Coalition | 0 comments



This instrumental comes from a song by 'Tyler, The Creator', the lyrics are vile and twisted much like our story. Although i disagree with this music and the message it sends to the minds who are listening, I quite like some of his instruments, and could be suitable for the soundtrack of our film. Also rap is a genre we havn't yet thought about using for our film, and to disregard this genre could be a vital mistake in finding our perfect music.

Research: Soundtrack - Foster The People

Posted on 08:18 by The Coalition | 0 comments



'Pumped up kicks' would be a perfect soundtrack for our five minute film, the narrative talks about the issue of American, high school killerlyrics describes teenager, baring a gun and shoots to kill kids from his school. Which is similar to our story, however our film is set in a UK secondary school,onfemale who's choice of weapon in a pair of scissors, which is more true to the surroundings, knife crime is the main problem in the UK, and gun crime is part of America culture, considering it is simple to get hold of one, because in many states they are legal, even in this day in age.
I quite like the tone of this song, the first time i listened to it it was playing on the radio on quite a beautiful day, the tone seemed very happy, and i hadn't listened to the lyrics closely by this point, the happy whistling and the bass seemed happy, and relaxed and very chilled, however once i found out what the story was, it made me feel that this song is very sick! Which is the exact tone we want to set for our final piece. I will put forward this idea to my group and hopefully they will have the same feelings towards this wonderfully disgusting piece of music.
This soundtrack, also give an idea of the year the film was made in 2011/2012, which was when this song was realised, it was a big hit and played on radios everyday, so one day when we look back on our film, it will also be a reminder of the time in which it was created.

Research: Film review pages

Posted on 00:56 by The Coalition | 0 comments

Before we can begin to create our magazine review pages we he cannot forget to look through previous ones so that we know what we know what it expected of us, which features to include and which ones aren't particularly necessary. We like the format of Empire's film review so we will sculpt are in a similar way, below are a couple of examples of film reviews we have read through.


Production: Contra zoom Tests

Posted on 01:43 by The Coalition | 0 comments


After many failed attempts of the contra zoom, with he use of a skateboard, we fortunately got our hands on a dolly. This gave the shot more stability, and the zoom is more steady and apparent, rather then slight, there is a constant flow of the zoom. Test three is by far my favourite, how ever there was a conflict of ideas and another member connotes a sense of an angelic being, which is too far from the truth. However i believed this signified to an audience was a sense of a twisted, dream like reality, however it was two against one and i lost to a democracy. The shots are quite shaky, because of the floor we were working on, however, as an artist, I have fully experience the saying, that most of the greatest creations, amount from a mistake. The shaky shot shot signifies to the audience the mental state of Efa, her nerves are all over the place, shes just been re introduced to her long lost imaginary friend, and she venerable, sitting curled up on the floor,  hopefully after the final cut, this is apparent.

Production: Setbacks

Posted on 03:40 by The Coalition | 0 comments

Having experienced Absent actors and Computer network difficulties, our schedule was severly set back.
Filming and Editing had to be put on hold because of the issues.
Nina's accident rendered her unable to match acting times,
Emmanuel Falade who had been mildly hard to reach and the technicians allowing the server to drop out, resulting in the loss of files on our Desktop, which were vital for editing.

Editing: Session 1

Posted on 03:08 by The Coalition | 0 comments

We sat down to put together our title sequence using shot that will connect it to the first inciting incident as well as introducing the audience to the main character Efah. We used Adobe After Effects to create the dynamic text using functions such as motion tracking  & 3D text layers to enhance them. Once rendered out we fitted all the shots together using Adobe premiere, the shots and text work really well alongside each other which adds to a very powerful title sequence.

Production: Over the soulder/ tilt

Posted on 04:41 by The Coalition | 0 comments



This is an over the shoulder shot, of the murder scene. The intentions of this scene was to mislead the audience into thinking they were simply sharing a lovers embrace, however, Efah has a message from her imaginary friend, which tells her to stick the knife into Reece's stomach. The mood changes, when his facial expressions change, and he seems to be in pain. then the camera tilts, which is cinema language, and signifies to the audience that the world going out of the 'norm'. This shot subconsciously confuses the mind and puts you on edge, i believe this shot is very effective and is my favourite successful shot of the film so far, the background goes slightly out of focus and gives a eerie edge.

Ending Credits Sequence

Posted on 04:29 by The Coalition | 0 comments

http://www.youtube.com/watch?v=pOVdBPyjMlg


This is an example of the ending credits style we'd like to use.
We plan to use shots of the aftermath in the background that backdrops the credits.

Ancillary piece- Magazine cover

Posted on 02:25 by The Coalition | 0 comments

Fortunately for our group, we are all also A2 art students, therefore we can use our skills to create a 2dimesional ancillary piece. I have almost finished a self portrait which i started after the incident, which contains my face and the scar, were going to overlap the original image which i was working from, to construct the front cover. By having the original 'real' imagine of the character, and the self created image using Biro pen overlapping, this portrays her has a real person, also one created by a pen. This signifies quite subtlely, but effectively the nature of her mind, and the nature of the film.

Reseach + Planning: Scarface

Posted on 11:34 by The Coalition | 0 comments


Following the events of the last couple of months, to ease my stress and make me laugh nearly everyone i know has called me Scarface, this is an obvious nickname due to the laceration on my face. i am going to use this constrictive behaviour from my peers and use it to create ideas to push our film forward. When making a film, or any kind of art, you use your life experience and social surroundings subconsciously and portray it through your work. Brian De Palma's Scarface is a film which I am more than familiar with, growing up watching this with my family, because it is one of my Fathers favourite films of all time, i feel privileged to use this childhood memory in my A2 work. By studying the first scene of the film, I believe that we could create a scene, by using it as a flash back, or introduction to our film. By placing me in an interview situation, with questions being thrown at me, will give a bit more background into the character and why she has killed her lover, and why she has a terrible scar on her face. By placing a scene in a section of the school, which i had seen in a previous production from former Westminster city school students, I'm going to take their initial ideas and create a scene suitable for our short film, i also feel that by using work from people i know who were also educated in our school by the same teachers, will show views how talented our students and teachers are.

Production: Contra zoom

Posted on 05:01 by The Coalition | 0 comments

[insert clip]
The contra zoom was going to be the 'money shot' but we experienced some complications, the skateboard was unstable, and controlling the camera on a moving bumpy surface proved very difficult.

Major Setbacks

Posted on 04:19 by The Coalition | 0 comments

Unfortunately for the group, I was involved in an incident in a London night club. This lead to me being out of school for a considerable amount of time in the crucial stages of production. The incident has also disfigured my face, which is not only terrible for me and my personal life, it has also had a strain on the continuity of the film.
Now when we film we have to consider camera angles and plan effective shots which hide the scar, thankfully for me and my situation, my group enjoys a challenge, and this will bring a new life and creative flow to the group. We have also discussed using the incident to our advantage, and including the scar in an alternative ending. This is yet to be confirmed, but in life we are always taught to make the best of a bad situation, and that is what we Shall do.