Production: Equipment - Fig Rig

Posted on 21:35 by The Coalition | 1 comments

The fig rig is an alternate grip that isn't normally used, we want to use it to capture mobile, moving shots and look very stable as if a steadycam was used & due to the ergonomics of the wheel it is very stable and should enable us to achieve similar results. The model we are using is the Manfrotto 595B.


Production: Equipment - Tripod + Monopod

Posted on 21:31 by The Coalition | 0 comments

A tripod is an absolute essential, it keeps the camera absolutely dead steady for shots like a shot reverse-shots. Its a piece of kit that we wouldn't go out to film without. We are going to be using a tripod similar to a manfrotto 350MVB.

The monopod isn't as essential but we can you it to get some really unique and angular shots due to it's increased manoeuvrability. We'll be using the Manfrotto 681B.

Production: Equipment - Canon EOS 7D

Posted on 21:20 by The Coalition | 0 comments

Due to our good work from last year we were rewarded with the Canon EOS 7D which is DSLR that has a very capable video recording function allowing us to film in full hd, making our final piece look more professional and crisp.

Here are the general specs of the camera:

  • 18MP APS-C CMOS sensor
  • Up to 8fps shooting
  • ISO range up to 12800
  • Approx. 100% Viewfinder
  • 19 cross-type AF points
  • iFCL metering system
  • Dual "DIGIC 4"
  • Full HD movie
  • Integrated Speedlite Transmitter
  • 3” Clear View II LCD

Editing: Software - Adobe Soundbooth CS5

Posted on 20:44 by The Coalition | 0 comments

We want to use Adobe Soundbooth to edit the audio that we do choose to use in our film, most editing suites don't normalize the volume of the audio used in the clips used when editing so the sound can sound choppy and take away from the continuity of the piece, we are using Soundbooth CS5 to eradicate that. We will also use it to take out any uneccasry background sounds that we find during editing that were picked up by the cameras microphone all contributing to a more presentable final piece.

Below is a look into the work-plane features in Adobe Soundbooth CS5.

Editing: Software - Adobe Premiere CS5

Posted on 20:38 by The Coalition | 0 comments

Adobe Premiere CS5 is another powerful piece of post production software that we plan on using, rather than use it for special effects we will use it to piece together our post edited clips resulting in the final 5 minute piece. It's an upgrade from the more simple iMovie and gives us a lot more flexibility and choices in terms of frames & transitions amongst others.

Below is a screenshot of the work-plane featured in Adobe Premiere CS5.

Editing: Software - Adobe After Effects CS5

Posted on 20:32 by The Coalition | 0 comments

We would say that editing is the most important part in the creation of visual media, a beautifully filmed pieced can turn really bad fast if the quality of the editing is poor. As we know this we plan on using the best software possible to ensure the final piece can be edited as well as it was initially shot. We will be using Adobe After Effects CS5 to apply special effects to our film such as colour coding and a really suave title and credit sequence. After Effects is knowing for it's intense graphical capability and we hope to use and draw as much out of it as possible.

Below is an image of the work-plane featured in After Effects & it gives you a glimpse into what we plan on working with.


Research: Danny Boyle

Posted on 07:23 by The Coalition | 0 comments

Danny Boyle is always an amazing director to extract ideas from to create a good film. In particular in our montage I have made a suggestion, to use Lou Reed's perfect day, which is used in the scene where the main character Mark renton, played by Ewan Mcgregor.

I believe this would be a perfect song because, she spends a perfect day with her imaginary friend, which is a direct reference to the song, also songs by Lou Reed have in my opinion a disturbing undertone.

This song also links with the previous music we wanted to use, which also features a piano.
Also as another suggestion, keeping withint he same artist. Take a walk on the wild side is also an idea which came into my head, this is also because of a refrance to the song words, she meets her imaginary friend, and he takes her away from being good and turns her quite evil, she 'takes a walk on the wild side'.

Equipment

Posted on 06:52 by The Coalition | 0 comments

Fig rig

Tripod

Canon eos7d


Monopod

Planning: Possible Score

Posted on 06:32 by The Coalition | 0 comments

Stein's Gate OST 10 Gate of steiner

Planning + Production: Filming Schedule

Posted on 06:47 by The Coalition | 0 comments

Filming Schedule

Date:
15/11/2011
16/11/2011
17/11/2011
18/11/2011
19/11/2011
What are we doing:
Filming + Blogging
Filming + Blogging
Filming + Blogging
Filming + Blogging
Editing + Blogging
Details:
We will film a mix up of shots that will be used within the montage & the argument section of the first scene. We’ll then blog about our day
We will shoot the dolly zoom (contra zoom) shot used for the realisation of the imaginary friend. We’ll then blog about what we have & haven’t achieved today.
Shoot the whole 3rd scene.
Shoot the final & first scene + look over the shots as a group and analyse them.
Editing begins...
Date:
21/11/2011
22/11/2011
23/11/2011
24/11/2011
25/11/2011
What are we doing:
Editing + Blogging
Editing + Blogging
Editing + Blogging
Ancilary piece photo shoot + Editing + Blogging
Editing + Blogging
Details:
By today we should have the title sequence & the 1st scene edited.
We would like to have 50% of the film edited by today
We plan to have 80% of the film edited by now hopefully leaving just the final scene and closing credits to be edited
We want to hold a photoshoot including all characters from the film that will be used in the creation of our ancillary pieces.
Look over what we have so far and round up the editing section of our project.

Testing: Camera Panning

Posted on 03:58 by The Coalition | 0 comments

[insert video]

ambinace. facial expression.

Testing: Murder Scene

Posted on 03:50 by The Coalition | 0 comments


mise en scene- The location of this shot, is perfect for the murder scene, the floors are red, so is the door to the set. From the colour red we connote, danger and blood. This set is perfect, from all the build-up we are going to create in each shot, to a dramatic setting, to a dramatic end.

body language- Firstly Efa walks with confidence towards Rhys, then folds her arms, which signifies her emotions of being upset or fed-up with something, she doesn't seem to be impressed by what he has done to her. The audience can clearly see that Efa is in control, she uses her sexuality to gain control of Rhys. His body language is completely different to hers. He has a slouched and helplessness to his stance, which comes across strong to the audience.
Personally I’m not convinced the close up of the lips work. I don’t agree that it flows well enough, and the lip gesture is a little bit to sexual for what we are trying to achieve here. Perhaps this would work if we could get the cut tight, and change the gesture to one of a less sexual nature. Also the music doesn’t fit as perfect as i would like it to, although we are on the right lines of finding a track, this is not 100 per cent suited.
Also, the casting could be better, this actor and actress don't work well on screen together, so we will find another actor to replace this one because he also expressed that he didn’t feel comfortable in front of the camera, as he is part of the group he is most comfortable behind it, and in front of a computer editing. Which was a good learning curb, because we have been working together for a while now, and know each other’s strength which will benefit us majorly when producing our final piece.
camera angles and movement

Costume- Efa

Posted on 03:28 by The Coalition | 0 comments

Like all the characters, Efa is wearing clothing typical to a teenager; however the choice of red on her t-shirt is deliberate. The colour red is associated with danger, it’s a warning colour. It’s also associated with, anger, love and blood, which are all themes of the film. Firstly it’s to signify to the audience that something terrible will happen at some point in the film, the there’s a possibility that blood will spill, and that feelings of anger mixed with love and passion are all definite themes of our film.
[insert photo]

Production: Contra Zoom

Posted on 02:36 by The Coalition | 0 comments

(pushing camera man)

(placed the camera on the skateboard)

Following the success of our As piece, we really wanted to challenge and excel our selves. So using the contra zoom, this will be our ‘money shot’ which will be the biggest part of our challenge. Unfortunately we do not have to correct equipment to our disposal, however using our initiative and props available to us, were going to try and achieve the dolly motion on a skateboard. By placing the camera man and the camera on the skateboard, and pushing him along the corridor and, zooming out and moving towards the subject we have come close to the contra zoom, however it’s not polished and we haven’t had a worthy shot yet, but it is most defiantly in progress.

Testing: Establishing Shot Test 2

Posted on 14:48 by The Coalition | 0 comments


This is our second attempt at shooting the beginning of our short film. From this shot you view the setting of our story which is in a secondary school. This shot is a pan of the building, which moves into an upwards tilt ending in a high shot of the sky. This Pacific choice in camera movement is deliberate to signify to the audience a sense of helplessness. The shot ends in the sky; from this we can give a slight hint of the ambiance of the film. Naturally when we look into the sky, this shows that we are looking for help, it gives a sense of being desperate. This is only a slight signal, which isn’t too obvious but sets the scene of the film perfectly.

Testing: Establishing Shot Test 1

Posted on 14:28 by The Coalition | 0 comments


This was our first attempt at shooting an establishing shot, to set the scene of our short film. In the first stationary shot featured in this clip, the school in which everything takes place is viewed from a low angle creating a slight edgy vibe, this is intentional, alongside a piece of music, which hasn’t been chosen yet. We will be able to get the story rolling quite effectively.
In the second shot featured in this film, we have taken the stationary shot, and experimented with a tilt up. This may or may not be used, as our second establishing shot we intended to film, of the same location but from a different angle, will also include a tilt up.
We may or may not use both establishing shots for the film; however it is useful to have both in mind when editing.

Planning: Establishing shot

Posted on 07:27 by The Coalition | 0 comments

Planning: Contra zoom/ introducing the charater.

Posted on 14:22 by The Coalition | 0 comments

This shot was blocked in a long corridor of the school, to introduce the imaginary friend, hopefully if all goes to plan using a contra zoom, used by Alfred Hitchcock in Vertigo (1958).  The camera is also going to be on an angle, because subconsciously this will put the audience's mind on an uncomfortable edge, by distorting reality.

This is the desired effect, to signify to the audience that seeing this character is very significant to the film this will help portray the importance, in the short five minutes we have to tell our story successfully. Also the meaning to this style of zoom is a scene of something that’s not real, a fear or something out of the ordinary, it makes the audience understand how the character may feel by giving them a visual expression of an emotion or inner feeling.

Research + Planning: Music for the montage

Posted on 08:47 by The Coalition | 0 comments

Initially, I was going to look for music about time passing, however I think it would be more appropriate to find music that is associated with having a friend. The music which introduces Toy Story popped in to my head.  However, once listening to it, it didn’t seem appropriate.


Secondly 'you’ve got a friend, which i heard a while back on the AA advert, came to mind, however the original by James Taylor and Carol King didn’t sound quite right. So now I’m going to look for covers, and any other songs which might be appropriate for our montage.

Research + Planning: Blocking / Mise en scene

Posted on 08:22 by The Coalition | 0 comments

Whilst blocking around our school, we stumbled upon this corridor. As a group we decided this would be the perfect set and location for when the X boyfriend gets killed, this is because from the colour red we automatically associate it with blood, death anger and so on. Also the exposed pipes in the celling, suggest that this scene is in a basement, which is a typically place for something scary to happen in any horror film. The exit sign on the wall to left, signifies a possible message to the character, telling him/ her and the audience that theys hould read the sign and run for their lives, or it could suggest that someone is about to die.

Planning: Storyboard

Posted on 15:14 by The Coalition | 0 comments

Now that we have a clear idea of what we want to do with our film we sketched out a storyboard to help us have a visual idea of what our shots may look like. This part is definitely vital.


Planning: Costume - Imaginary Friend

Posted on 10:18 by The Coalition | 0 comments


The imaginary friend will be sporting a white hoodie, white trousers and white shoes. From the choice of clothing, the audience will subconsciously connote a ghostly feeling from the imaginary friend. The colour doesn’t suggest that this character is a villain in the film however,this will enable us to create a less obvious suspense. The facial expression, body language and the overall stance of his imaginary friend is juxtaposed with the character, this also challenges our creatively to portray the character as evil by giving the audience slight signals of his true personality.
White Jeans

Planning: Film Shot List

Posted on 09:41 by The Coalition | 0 comments

Establishing shot- low angle of school
Cut- inside footsteps
Close up- hand on button
Mishot- doors open
Longshot -leaving school/ different angle argument
Over the shoulder shot -“she’s my ex”
Midshot –push
Pan of hand connection.
Mid shot, new angle Efa exit scene- boyfriend left.
Fade to black
Over the shoulder-longshot down corridor, looking at nina cry.
Over the shoulder- imaginary friend close up
Contra zoom
Over the shoulder conversation- nina and imaginary friend
Starts off in full colour & gradually drains itself of colour to resemble depression.
Begins with shots of
Efa in lesson, reading books, laughing
Gradually the shots become more awkward, shows the imaginary friend giving her something and she refuses, this then leads to shots of her leaving class early with the teacher shouting in the background, kicking things over, her miming “Fuck You” amongst other various shots.
Montage ends as the monologue ends.

POV shot of
Efa looking at what she’s done

Mid shot of
Efa running up the stairs to get away from everything.

A long shot of
Efa running up the stairs & she runs towards the camera turning it into a close up with the imaginary friend in the background, visible.

Camera remains in this shot & fades to black at the end of the convo 
Walk past bf on bridge, one shot imaginary friend there, once shot hes not.
High angle pov shot- best friend walks round the ally
Reverse shot- over the shoulder Efa walks towards friend
“he’s imaginary” slow zoom on his face.
High angle- hand on shoulder, Efa smashes bestfriend head off the wall.

Planning: Costume - Efah

Posted on 07:54 by The Coalition | 0 comments

We are going to apply this dark, Gothic feel to our charater. Using costume avalible to us, the charater is going to wear a pair of black Dr martens. As a group we are studying 'Donnie Darko' as a huge inspiration for our film, this also includes the costume. From his atire we denote, that his character has quite a dark, Gothic side to him, he is sporting a grey hoodie which signifies his age as being a teenager, because it juxtaposes his party costume it suggests that he may have a more pore and innocent side to him. This use of colour in his clothing is also used in another scene, featuring a white tee-shirt and a black hoodie.

 











The costume in the photo above, is used for the montage. This is to indicate her innocence, she looks quite angle with a rough edge, which is what she is. Her innocence is wiped by a broken heart and an evil imaginary friend. The scenes after the montage she is wearing a complete black costume, which is a bold change from this one. In these scenes her hair is quite rugged, compared to the shots before where her hair was nicely done. This is her slow deterioration into her evil state.

Planning: Character's name

Posted on 09:17 by The Coalition | 0 comments

The main character, is going to be named 'Efah', because its meaning is "darkness" or "gloomy".  This will also suit not only the characters actions of brutal murder, but will also will suit her mood, because of the manipulation and trauma of breaking up with her lover, her mood becomes gloomy and quite depressed.


The boyfriend, is going to be named 'Rhys' because its meaning is "heat of passion". This is perfect because, 'Efah' is so in love with him, but kills him in a moment of twisted passion, so he literally dies in the 'heat of passion'.




The imaginary friend is going to remain unnamed, if we had chosen to give the imaginary friend a name, he would appear to seem as real as the other character’s. By not giving him a name, this is another slight hint, that we have been giving to the audience all the way through that he is in fact a figment of Efah's imagination.

Planning: Character Profile

Posted on 08:21 by The Coalition | 0 comments

Name: Efa (Main Character)

Gender: Female

Age: 18

Relationships: She is the main character, she has a boyfriend (Rhys) & best friend. She also has the imaginary friend.
Background: She’s Caucasian, born & raised in central London. She’s a foster child who hasn’t seen her parents since she was 3 years old.

Personality: She's very kind, sincere, but she's really quiet, not so shy, she's boring to those who love to chat. You wouldn’t call her emo but she swings close to that circle.

Name: Simon/Jason (Imaginary Friend)

Gender: Male
Age: 19

Relationships: He’s Cecily’s imaginary friend

Background: N/A

Personality: Kind, sincere, caring, deep, dark, solemn, thoughtful, quick thinking, slimy

Name: Rhys (Boyfriend)

Gender: Male

Age: 18

Relationships: In a relationship with Cecily

Background: standard, regular family, middle class, been in a bit of trouble here and there but still seen as a good person...no one’s perfect aye
Personality: Controlling, a little foolish, kind, loving, crazy,

Research: Quentin Tarantino

Posted on 14:18 by The Coalition | 0 comments

Quentin Tarantino has appeared in his movies, much like him i would like to feature at some point in our new one. This gives me a chance to, write the film, direct it, feature in it and also edit. This gives me all angles of experience i could possibly gain from a level media. Until the day i die, I will always own footage of me, in my prime years doing something i fully enjoy. This could also be the reason for Tarantinos appearance in Pulp Fiction, this also gives a face to the name of the director, which the audience will enjoy to watch.

Research: Romeo + Juliet

Posted on 11:21 by The Coalition | 0 comments

Baz Luhrmann's Romeo + Juliet, is perfect to study, when gaining ideas on how to film a modern love story. In particular this clip is perfect, the way in which the moment, their lips touch for the first time, is captured takes my breath away, This is the kind of emotion we want to capture as film directors, in our short movie. The attraction is so strong, and the romance and excitement bursts through the screen.
Another reason to why this clip is vital to study, is because until he end of the scene, nobody actually sees romeo, they only see Juliet. Romeo at this point doesn't exist to the rest of the world, he is only visual and only exits in Juliet's eyes at this point. This is similar to what we want to portray in our film.
One other key point, about romeo and Juliet which links to our story line is, Juliet is in love, however they can't be together for a reason, which means eventually they have to let go, although they don't let go and are with each other for the rest of eternity, the idea is still very much there.

Research: Opening Monologue

Posted on 09:04 by The Coalition | 0 comments

This famous clip comes from (director) 's Annie Hall, preformed by Woody Allen. This is extremely successful because it sets the whole film up, it introduces a few characters, it sets the tone of the film. From this monologue we now know who the main character is, his personality, what he thinks about, current affairs in his life and so on. It works perfectly also because, what he is saying could easily get boring, however Allen's performance keeps the audiences attention through out, the energy level is persistant which is what we aim to achieve. The way in which this scene is shot also signifies many things to the audience, the predominant colour is brown, which suggests he is an average normal day guy, with a normal job, a normal life, however his shirt is brown and red, which may indicate that his life has an heir of danger, or lust and something out of the ordinary, much like the brown against the reds, is about to occur.

Research: Richard Kellys 'Donny Darko'

Posted on 16:12 by The Coalition | 0 comments

Watching Donny Darko and drawing inspiration from Richard Kelly (the director), to get ideas about how to shoot a successful piece, which has the same concept, and evil imaginary friend. I drew quite a lot of inspiration from this film and found the following quite useful.
- Firstly, although we have an idea of how to introduce the imaginary friend using the contra zoom, this is proving quite difficult and may not be possible, so a second choice is always useful to have whilst filming. When the film director introduces the bunny, (the imaginary friend. he uses a close up of the main character, and uses a reverse mid shot to introduce 'frank' (the imaginary friend). he also uses a fade in between the reverse shot, and the bunny appears briefly on Donny's face, which signifies extremely well to the audience that this character is all in Donny's mind. (discussion: first scene)




- Secondly he montage was quite helpful,  i would like to use ideas from this, during our montage during the editing process. Firstly the choice in music, caught my attention, the lyrics spoke about time, if we could find a piece of music, which spoke about time, and tempo worked well with our montage it would be perfect, so I am going to do some research into this. Secondly in this particular scene, they use.............which is effective because it give the film a sense an edge, also quite dreamlike, so the reality seems to be quite messes up as Donny’s head, which is a clever way of helping the audience understand and experience the character’s mind. Both factors i would like to use in the montage, i will discuss this with my group and hopefully come to a decision, using these ideas and any which they may have had

Planning: Genre...

Posted on 13:06 by The Coalition | 0 comments

Now as a group we had to choose between making a genre film or a conceptual film, this is a very important decision even if it may appear simple to many, this decision will effect everything from shots to costumes because by making a genre film you are knowingly or unknowingly agreeing to meet certain norms & concepts. Due to this, we as a group have decided to make a conceptual film which allows us to do pretty much what we like without being placed in a certain box...allowing creativity to flow without thinking within boundaries like we would need to if we were going to create a rom-com for example. Our film will be pretty much be a post modern piece.


We haven't given our film an actual genre, this is to give us more scope for creative ideas. We have an ambitious drive to create a well executed piece and we didn't want a limit to how we could achieve this by labeling it just yet. However, quite clearly we have looked to horror to give our film a creepy undertone. The final scene is a clear reference and classic idea of killing a loved one, due to the idea of a mental illness, which seems quite real to the character throughout the film.
The ending has a post , modern twist, and rejects classic horrors by making the villain a woman, this is a reflection of 21st century liberation's, women are now playing roles typically played by men, for instance a personal favorite of mine, Quintin tanantino's Kill Bill. The assassin is played by Uma Thurman who is a blonde American lady, who has a lot of inner and outer strength and successfully brutally murders hundreds of other trained assassins who stand in her way.
Our film also bares clear references to thrillers,

Research: Drop Dead Fred

Posted on 12:42 by The Coalition | 0 comments

Ate de Jong's, Drop Dead Fred is a child's film, about a grown up woman, who still see's her childhood imaginary friend. Fred tries to ruin her life in some ways, and wants her to return to her fun inner child, however has to let go eventually to have a successful adulthood. This film could be helpful, although its a comedy, which is completely opposite to our style, we could learn a bit about how to portray an imaginary friend, through film.
By watching this as a group, we will be able to take notes on successful camera movements, editing, and so on. This film is perfect for initial research.

Research: Post-modernism

Posted on 12:23 by The Coalition | 0 comments

To write the narrative of the short film we are going to produce, a very Strong theme comes to mind to create an eerie ambiance, by writing and narrating a poem or story similar to the works of Edgar Allen Poe.

A 'The Simpsons' has been a personal favourite of mine, which we would modernise further. By costume and lauguage, but this is the kind of clever, subtle cleaver ambiance is one which we would like to achieve.

The language will not be used as such, but the tone of voice and the pace, at which he tells the story, will be taken in to great consideration when writing, and preforming the script. 

& we begin...

Posted on 11:22 by The Coalition | 0 comments

The coalition is our group name featuring group members Femi, Nina & Nicholas. This blog will document our film making process right from the beginning until the end. This should be fun...